Prof. Charles Green

2015

Journal Articles Unrefereed Letters or Notes

• Charles Green 2015, ‘”Benglis 73/74”’, Artforum International, Artforum International Magazine, vol. 53, issue 5.

2014

Authored Research Books

• Charles Green, Brown L, CATTAPAN J 2014, Framing Conflict: War, Peace and Aftermath, Macmillan Art Publishing, Macmillan Publishers Australia.

Research Book Chapters

• Charles Green, Gardner A 2014, ‘When Art Migrates: Biennales and Itinerancy’, in Juliet Steyn JS, Nadja Stamselberg NS ed(s), Breaching Borders: Art, Migrants and the Metaphor of Waste.
• Charles Green, Gardner A 2014, ‘Cultural Translation or Cultural Exclusion? The Biennale of Sydney and Contemporary Art in the South’, in Bydler C, Sjoholm C ed(s), Regionality/Mondiality: Perspectives on Art, Aesthetics and Globalization.

2013

Research Book Chapters

• Charles Green 2013, ‘”Clear Light, Dark Times: Science fiction as fact”‘, in Making Worlds: Art and Science Fiction, Surpllus.
• Charles Green, Barker 2013, ‘Provincialism no more’, in Impresario: Paul Taylor, Surpllus.
• Charles Green, Anthony Gardner 2013, ‘Mega-exhibitions, New Publics and Asian Art Biennials’, in Hjorth, King, Kataoka ed(s), Art in the Asia Pacific: Intimate Publics, Routledge.

Journal Articles Refereed

• Charles Green, Anthony Gardner 2013, ‘The Third Biennale of Sydney: “White Elephant or Red Herring”‘, Humanities Research, Australian National University, Humanities Research Centre, vol. 19, issue 2.
• Charles Green, Anthony Gardner 2013, ‘Biennials of the South on the Edges of the Global’, Third Text, Routledge, vol. 27, issue 4.

2012

Research Book Chapters

• Charles Green 2012, ‘Spook Country: Conflicts of Interest’, in What Do Artists Know?, Penn State University Press.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2012, ‘TarraWarra Biennial 2012, Tarrawarra Museum of Art’, Artforum, Artforum, vol. December 2012.
• Charles Green 2012, ‘Gabriella Mangano and Silvana Mangano, Anna Schwartz Gallery’, Artforum, Artforum, vol. February 2012.

2011

Journal Articles Refereed

• Charles Green, Lyndell Green 2011, ‘Retrospective’, Colloquy, Monash University, vol. 22, no. 4.
• Charles Green, Croggon N 2011, ‘Shaun Gladwell: Gesture, Critique and Skateboarding’, Australian and New Zealand Journal of Art, Art Association of Australia & New Zealand, vol. 11, issue 1.
• Charles Green, Barker H 2011, ‘The Watershed: Two Decades of American Painting at the National Gallery of Victoria’, Art Journal of the National Gallery of Victoria, National Gallery of Victoria, vol. 1, issue 50.
• Charles Green, Barker H 2011, ‘No place like home: Australian art history and contemporary art at the start of the 1970s’, Journal of Art Historiography, University of Glasgow, Institute for Art History, vol. 4, issue June 2011.

Journal Articles Unrefereed

• Charles Green, Anthony Gardner 2011, ‘Producing the Experimental: Mega-Exhibitions and Contemporary Art’, Broadsheet, vol. 40, issue 3.

2010

Research Book Chapters

• Charles Green 2010, ‘1969-73, The Conceptualist: Each piece is part of a longer ongoing work’, in John Davis Presence, National Gallery of Victoria.
• Charles Green 2010, ‘The Reader: Sites and Non-Sites’, in John Davis Presence, National Gallery of Victoria.
• Charles Green 2010, ‘1977-81 The Nomad: If my materials are temporal, it does not concern me’, in John Davis Presence, National Gallery of Victoria.
• Charles Green 2010, ‘Dead Parrot Society’, in Art and Globalization, Penn State University Press.

Journal Articles Refereed

• Charles Green, Barker 2010, ‘The Provincialism Problem: Terry Smith and Centre-Periphery Art History’, Journal of Art Historiography, University of Glasgow, Institute for Art History, vol. 3.
• Charles Green, Barker H 2010, ‘No More Provincialism: Art & Text’, EMAJ – Electronic Melbourne Art Journal, Fine Arts Network, vol. 1, issue 5.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2010, ‘Critical or Congratulatory’, Broadsheet, vol. 39, issue 1, no. 1.
• Charles Green 2010, ‘What is contemporary art’, Art and Australia, vol. 48, issue 2.

2009

Research Book Chapters

• Charles Green 2009, ‘The Gallipoli Series’, in Sidney Nolan: The Gallipoli Series, Australian War Memorial.

Journal Articles Refereed

• Charles Green 2009, ‘Flight from the Object: Donald Brook, Inhibodress and the Emergence of Post-Studio Art in Early 1970s Sydney’, EMAJ – Electronic Melbourne Art Journal, Fine Arts Network, vol. 2009, issue December 2009.

Journal Articles Unrefereed

• Charles Green 2009, ‘Len Lye’, Artforum International Magazine, Artforum International Magazine, vol. 48, no. 3, issue November 2009.
• Charles Green 2009, ‘Manuel Ocampo’, Artforum International Magazine, Artforum International Magazine, vol. 47, no. 8, issue April 2009.
• Charles Green 2009, ‘Yang Yongliang’, Artforum International Magazine, Artforum International Magazine, vol. artforum.com, issue April 2009.

Major Reference works

• Charles Green 2009, ‘Australian contemporary art, 1995�2010’, in Oxford Art Online, Oxford University Press.
• Charles Green 2009, ‘Gladwell, Shaun’, in Grove Art Online. Oxford Art Online, Oxford University Press.
• Charles Green 2009, ‘Hunter, Robert’, in Grove Art Online. Oxford Art Online, Oxford University Press.
• Charles Green 2009, ‘Piccinini, Patricia’, in Grove Art Online. Oxford Art Online, Oxford University Press.
• Charles Green 2009, ‘Henson, Bill’, in Grove Art Online. Oxford Art Online, Oxford University Press.

Fully Written Paper Refereed

• Charles Green 2009, ‘The atlas effect: constraint, freedom and the circulation of images’, in Crossing cultures: conflict, migration and convergence. Proceedings of the 32nd CIHA Conference, 2008, Melbourne University Press, vol. 1, issue 1.

2008

Research Book Chapters

• Charles Green 2008, ‘The Second Self’, in Crawford H ed(s), Artistic Bedfellows: Histories, Theories and Conversations in Collaborative Art Practices, University Press of America.

Journal Articles Refereed

• Charles Green 2008, ‘The Memory Effect: Anachronism, Time and Motion’, Third Text, Routledge, vol. 22, issue 6.

Journal Articles Unrefereed

• Charles Green, Gardner A 2008, ‘The Second Self: A Hostage of Cultural Memory’, A-Prior, A Prior Magazine, vol. 1, issue 16.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2008, ‘Ram Rahman’, Artforum International Magazine, Artforum International Magazine, vol. 46, issue 10.
• Charles Green 2008, ‘Klippel/Klippel: Opus 2008’, Artforum, Artforum, vol. 9/4/08, issue online.
• Charles Green 2008, ‘NEON’, Artforum, Artforum, vol. 10/2/08, issue 10/2/08.

2007

Book Chapters Other

• Charles Green 2007, ‘The Ice Age’, in Lee Bul, Govett-Brewster Art Gallery Publications.
• Charles Green 2007, ‘We are all animal now’, in Voiceless: I feel therefore I am, Sherman Galleries.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2007, ‘Juan Davila’, Artforum International Magazine, Artforum International Magazine, vol. 45, issue 5.
• Charles Green 2007, ‘Jan Nelson’, Artforum International Magazine, Artforum International Magazine, vol. 9 November.

Fully Written Paper unrefereed

• Charles Green 2007, ‘Broken Screen’, in Reinventing the Medium, Contemporary Art Centre of South Australia, vol. 36, issue 1.

2006

Edited Books

• Charles Green 2006, 2006: Contemporary Commonwealth, National Gallery of Victoria.

Research Book Chapters

• Charles Green 2006, ‘Common connecting vision: 2006 Contemporary Commonwealth at the National Gallery of Victoria’, in Green C ed(s), 2006: Contemporary Commonwealth, National Gallery of Victoria.
• Charles Green 2006, ‘Art’, in Beilharz P, Hogan T ed(s), Sociology: place, time and division, Oxford University Press.

Journal Articles Unrefereed

• Charles Green 2006, ‘Contemporary art celebration’, Gallery, vol. 31-33, issue 2006.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2006, ‘Zones of contact: 2006 Biennale of Sydney’, Artforum International Magazine, Artforum International Magazine, vol. 45, issue 2.
• BURNS K, Charles Green, JORDAN C, Helen McDonald, Anthony White 2006, ‘Editorial’, Australian and New Zealand Journal of Art, Art Association of Australia & New Zealand, vol. 6/7, issue 2/1.
• Charles Green, JORDAN C, Helen McDonald, Anthony White 2006, ‘Editorial’, Australian and New Zealand Journal of Art, Art Association of Australia & New Zealand, vol. 7, issue 2.

2005

Journal Articles Refereed

• Charles Green, BARKER HI 2005, ‘Bernard Smith, Cold Warrior’, Thesis Eleven, Sage Publications, vol. 82.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2005, ‘Lee Bul’, Artforum, Artforum, vol. 44, issue 2.
• Burns K, Charles Green, Jordan C, McDonald H, Anthony White 2005, ‘Editorial’, Australian and New Zealand Journal of Art, Art Association of Australia & New Zealand, vol. 6, issue 1.

2004

Edited Books

• Charles Green 2004, 2004, National Gallery of Victoria.

Research Book Chapters

• Charles Green 2004, ‘The Visual Arts: an aesthetic of labyrinthine form’, in WISSLER R, HASEMAN B, WALLACE SA, KEANE M ed(s), Innovation in Australian arts, media and design, Post Pressed.
• Charles Green 2004, ‘The Future of Art’, in GERZ J ed(s), The Anthology of Art: Art and Theory in Dialogue, DuMont Literatur und Kunst Verlag.

Book Chapters Other

• Charles Green 2004, ‘Joseph Kosuth, Archives and Art’, in BARTON CB ed(s), Joseph Kosuth: Guests and Foreigners, Rules and Meanings (Te Kore), Adam Art Gallery.
• Charles Green 2004, ‘Lee Bul’s Realism’, in JACKSON TJ ed(s), Artes Mundi: Wales International Visual Art Prize, Artes Mundi.
• Charles Green, LOVINK G 2004, ‘The Art of Collaboration’, in KUKOVEC DK ed(s), Reader 02: Area Kolaborativa, Galerija Skuc.
• Charles Green 2004, ‘2004: Mapping Contemporary Australian Art and New Media’, in GREEN CD ed(s), 2004, National Gallery of Victoria.
• Charles Green, Nikos Papastergiadis, BROUPHY P, COOK R, FRENCH B, PERKINS H, PIERCE J, REDFORD S 2004, ‘Always Turning Art Back into Politics’, in GREEN CD ed(s), 2004, National Gallery of Victoria.

Journal Articles Refereed

• Charles Green 2004, ‘Every thing in its right place’, Art Journal of the National Gallery of Victoria, National Gallery of Victoria, vol. 43.
• Charles Green 2004, ‘Group Soul: Who Owns the Artist Fusion?’, Third Text, Routledge, vol. 18, issue 6.

Journal Articles Unrefereed

• Charles Green 2004, ‘Doubled: the Active Agent of Individual Disappearance’, Cabinet, Unknown, vol. 14.
• Charles Green 2004, ‘State of Play’, Gallery, vol. 14, issue July-August.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2004, ‘Tracey Moffatt’, Artforum, Artforum, vol. 93, issue 1.

Fully Written Paper unrefereed

• Charles Green 2004, ‘Against Artists’, in FreeCorporation, Department of Media Study at SUNY, vol. 5.

2003

Edited Books

• Charles Green 2003, world Rush_4 artists: Doug Aitken, Eija-Liisa Ahtila, Lee Bul and Sarah Sze (Exhibition Catalogue), National Gallery of Victoria.

Research Book Chapters

• Charles Green 2003, ‘World Recognition’, in GREEN CD ed(s), world rush_4 artists: Doug Aitken, Eija-Liisa Ahtila, Lee Bul and Sarah Sze, National Gallery of Victoria.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2003, ‘”The Labyrinthine Effect”: Australian Centre for Contemporary Art’, Artforum, Artforum, vol. 42, issue 4.
• Charles Green 2003, ‘Stephen Honegger and Anthony Hunt’, Artforum International Magazine, Artforum International Magazine, vol. 42, issue 1.

Major Reference works

• Charles Green 2003, ’20th Century Painting and Sculpture in the International Collections of the National Gallery of Victoria’, in Josef Albers, Homage to the Square: Autumn echo; Marta Boto, Square forms in movement; Joseph Kosuth, One and three brooms; Kenneth Noland, Via glow; Donald Judd, Untitled; Sean Scully, Arrival, National Gallery of Victoria, ed 1.

2002

Edited Books

• Charles Green 2002, Fieldwork: Australian Art 1968-2002, National Gallery of Victoria.

Research Book Chapters

• Charles Green 2002, ‘The Discursive Field: Home is Where the Heart Is’, in GREEN CD, SMITH J ed(s), Fieldwork: Australian Art 1968-2002, National Gallery of Victoria.
• Charles Green 2002, ‘Into the 1990s: The Decay of Postmodernism’, in GREEN CD, SMITH J ed(s), Fieldwork: Australian Art 1968-2002, National Gallery of Victoria.
• Charles Green, STELARC S 2002, ‘Stelarc and the Alternate Architecture of the Artistic Body’, in GREEN CD, SMITH J ed(s), Fieldwork: Australian Art 1968-2002, National Gallery of Victoria.
• Charles Green 2002, ‘New Order, Old Paradigms and Dangerous Spirits’, in BUTLER R, MILLNER J ed(s), Critical and Theoretical Speculations on the 13th Biennale of Sydney, Artspace Visual Arts Centre.

Book Chapters Other

• Charles Green 2002, ‘Empire’, in KENT R, STORER R, WEBB V ed(s), Meridian: Focus on Contemporary Art, Museum of Contemporary Art, Sydney.

Journal Articles Refereed

• Charles Green, BROWN L 2002, ‘Robert Smithson’s Ghost in 1920s Hamburg: Reading Aby Warburg’s Mnemosyne Atlas as a Non-Site’, Visual Resources, Taylor & Francis, vol. 18, issue 2.

Journal Articles Unrefereed

• Charles Green, BROWN LB 2002, ‘Self-portrait-Sanctuary’, Art and Australia, vol. 40, issue 2.
• Charles Green 2002, ‘The Third Hand: Collaboration and Contemporary Art’, Exit: Image and Culture, Olivares Associated, vol. 2002, issue 7.

Journal Articles Unrefereed Letters or Notes

• Charles Green 2002, ‘Polygots at the Power Institute: Terry Smith (ed.) Impossible Presence: Surface and screen in the Photogenic Era’, Australian Book Review, Australian Book Review, vol. 2002, issue 240.
• Charles Green 2002, ‘Sung Neung-kyung’, Artforum, Artforum, vol. 40, issue 8.

2001

Authored Research Books

• Charles Green 2001, The third hand: artist collaborations from Conceptualism to Postmodernism, University of Minnesota Press.

Edited Books

• Charles Green 2001, Postcolonial+art: where now?, Artspace Visual Arts Centre.

Research Book Chapters

• Charles Green 2001, ‘The art of friction’, in Shaw J ed(s), (dis)locations, Hatje Cantz Verlag.
• Charles Green 2001, ‘The global significance of Western Desert painting: messages from a collection’, in OLIVA AB ed(s), Aborigena, Electa.
• Charles Green 2001, ‘Domenico de Clario’s Dark Wood’, in Genocchio B, Geczy A ed(s), What is installation? An anthology of writings on Australian installation art, Power Publications.

Book Chapters Other

• Charles Green 2001, ‘Introduction’, in GREEN CD ed(s), Postcolonial+art: where now?, Artspace Visual Arts Centre.

Journal Articles Unrefereed

• Charles Green 2001, ‘Julia Gorman: Future Monster’, Artext, Art & Text, vol. 74.
• Charles Green, Lovink G 2001, ‘The Art of Collaboration: an interview with Charles Green’, Fibreculture Journal, Fibreculture Publications, vol. December.

• Charles Green 2001, ‘Euan Heng’, in Artforum, Artforum.