“Where the roads lead…”: A Literary & Artistic Journey from the Darling Downs to Fraser Island 2022

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27 Jul – 10 Aug 2022

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“Where the roads lead…”: A Literary & Artistic Journey from the Darling Downs to Fraser Island 2022
Tour Highlights

“Where do the roads lead? It is not where we expected.”, (Country Town), Judith Wright 1963.

Join literary expert Susannah Fullerton, President of the Jane Austen Society of Australia, and award-winning artist David Henderson on a journey through the Darling Downs, Lamington National Park, Brisbane, Rockhampton and Fraser Island, to explore how the Australian landscape has exerted a powerful influence on Australian literature and painting.

  • Tour historic homesteads on the Darling Downs including the grand country house of Jimbour described by poet George Essex Evans, and Coochin Coochin, home to the Bell family whose past guests include the Queen Mother, Laurence Olivier, Vivien Leigh and Agatha Christie.
  • In Toowoomba visit the Lionel Lindsay Gallery and Library Collection which includes works by the Lindsay family as well as by Tom Roberts, Frederick McCubbin, Arthur Streeton and Rupert Bunny. The library collection, considered of national importance, includes letters by Henry Lawson and Lionel Lindsay’s own papers.
  • Visit sites associated with P.L. Travers, author of Mary Poppins, including her former home in Allora, and the former bank in Maryborough where her father worked, and where she was born.
  • With zoologist, Dr Ronda Green, explore Lamington National Park’s World Heritage Gondwana Rainforests, the inspiration for William Robinson’s celebrated Creation and Mountain series. Our visit is timed when we will most likely see a bower constructed by the satin bowerbird as filmed by David Attenborough in his series Life on Earth.
  • Explore the development of Australian landscape painting at the Queensland Art Gallery which includes iconic works by artists such as Gordon Bennett, Arthur Boyd, Ian Fairweather and Sidney Nolan. We also view the exhibition of Albert Namatjira whose iconic landscape paintings are synonymous with the Australian outback.
  • Explore the life and work of novelist Rosa Praed. We visit Bromelton House where she was born and view her papers at the Fryer Library.
  • At the Tweed Regional Gallery & Margaret Olley Art Centre view the recreated areas of Olley’s famous home studio.
  • On the Gold Coast visit the new HOTA Gallery; both the architecture and gallery space were inspired by William Robinson’s stunning painting The Rainforest, a key work in the collection.
  • At Old Government House, Brisbane, visit the William Robinson Gallery and enjoy an evening talk by best-selling author, Nick Earls, who wrote William Robinson: A New Perspective 
  • While based at the Kingfisher Bay Resort explore World Heritage Listed Fraser Island, the source of inspiration for numerous artists and writers including Sidney Nolan, Patrick White, Judith Wright, and Wilf Reeves and Olga Miller’s creation stories described in Legends of Moonie Jarl. Our visit is timed for August when the humpback whales may be easily viewed during our excursion to Hervey Bay.
  • Visit the newly opened Rockhampton Museum of Art. The collection includes works by Margaret Olley, Arthur Boyd, Russell Drysdale, Sidney Nolan and Jeffrey Smart.
  • Conclude with a journey by Tilt Train from Rockhampton to Brisbane which affords picturesque views of the Glasshouse Mountains painted by Lawrence Daws.

Overnight Toowoomba (3 nights) • Lamington National Park (2 nights) • Brisbane (3 nights) • Noosa Heads (1 night) • Fraser Island (3 nights) • Rockhampton (2 nights)



The following itinerary describes a range of sites which we plan to visit. At the time of publication (August 2021) most visits had been confirmed. While several are accessible to the public, others require special permission which may only be confirmed closer to the tour’s departure in 2022.

The daily activities described in this itinerary may change or be rotated and/or modified in order to accommodate alterations in opening hours and confirmation of private visits. Participants will receive a final itinerary, together with their tour documents, prior to departure. The tour includes meals indicated in the detailed itinerary where: B=breakfast, L=lunch and D=dinner.

Toowoomba – 3 nights

Day 1: Wednesday 27 July, Brisbane – Ipswich – Toowoomba

Meeting Point: The Treasury Hotel, 130 William Street, Brisbane at 10.30am.

We depart Brisbane this morning for Ipswich which has hosted numerous literary figures including Banjo Paterson and Sir Arthur Conan Doyle. It is also the birthplace of Thomas Shapcott AO (born 1935), author of fifteen collections of poetry and six novels.

By the late 1800s the township of Ipswich boasted its own enclave of wealthy merchants, graziers and industrialists, and today the city is renowned for its wealth of heritage architecture. We begin with a visit to ‘Rockton’, a historic National Trust-listed property, and the former home of artist and writer, Helen Haenke (1916-78). Haenke is associated with the emerging vibrant cultural scene of south-east Queensland during the late 1960s and 70s. Born in NSW, she trained as a commercial artist in Sydney, and later studied painting under Max Meldrum in Melbourne. Following her marriage to Willis Lynn Haenke, she moved to ‘Rockton’ where she became an influential figure in Ipswich from the 1940s; her poetry, short stories and paintings reflect her life there. ‘Rockton’ became a regular venue for recitals, concerts and play readings, with guests including Rodney Hall, Thomas Shapcott, Bruce Dawe and Oodgeroo Noonuccal. During our visit to ‘Rockton’ we will meet with Helen Haenke’s daughter, Angela, to learn more about this prolific writer and poet.

This afternoon we meet with artist Leonard Brown at his home studio to discuss his work, and that of his friend, Sam Fullbrook. Leonard Brown is best known for his minimal abstract paintings and his Russian icon paintings created using traditional techniques. In 2011 QUT Art Museum presented Union with Reality: The Art of Leonard Brown, a 30 year survey of his work which is represented in numerous public collections including the NGA and the NGV. Leonard had a close association with Sam Fullbrook (1922-2004) who was described as the “last of the bushman painters”. Fullbrook won the Archibald Prize for portraiture and the Wynne Prize for landscape. His work will be viewed during our visit to the QAG which includes the portrait of his friend, Brisbane-born novelist Ernestine Hill (1899-1972), who shared a history of life on the land and a deep appreciation of the Australian bush.

In the late afternoon we travel to Toowoomba, capital of the Darling Downs on the crest of the Great Dividing Range. Poet Bruce Dawe (1930-2020) lived in Toowoomba in the 1970s and immortalised this dramatic location in his poem Provincial City:

Climbing the range
your ears pop like champagne…’
You can smell the peace up here.
The proportion, the narrowness…’
‘It moves, but oh so slowly
you would have to sleep years,
waking suddenly once in a decade
to surprise it in the act of change.

Toowoomba is also the birthplace of Australian watercolourist J.J. Hilder (1881-1916) whose best collection of works can be viewed at the Art Gallery NSW. Tonight we enjoy a welcome dinner at a local restaurant. (Overnight Toowoomba) LD

Day 2: Thursday 28 July, Toowoomba – Greenmount – Toowoomba

Arthur Howey Davis (1868-1935) otherwise known as Steele Rudd, was born in a slab hut on Darling Street, Drayton. When he was four, his family moved to Emu Creek (now called East Greenmount) where he attended school. Son of a blacksmith, Davis worked as a horse-breaker, stockman, and drover before moving to Brisbane where he became a clerk. There he joined a rowing club and began writing poems and sketches under the pseudonym “Steele Rudder”, later shortened to Steele Rudd. In 1899 The Bulletin published his sketches, with illustrations, as On Our Selection. Largely autobiographical, the sketches provide a humorous account of life on a plot of land ‘selected’ in the 1880s, featuring characters Dad and Dave Rudd. In 1903 Our New Selection was published, and he founded Steele Rudd’s Magazine, a popular periodical that appeared irregularly over the next 25 years. In 1908, Steele Rudd returned with his wife to the Darling Downs, later buying ‘The Firs’, a farm near Nobby. His stories have been dramatised and filmed several times. The ‘Dad and Dave from Snake Gully’ radio program which started in 1937, and featured the antics of some of Steele Rudd’s characters, aired for 16 years. This morning we visit Steele Rudd Memorial Park, situated on the original selection taken up by Thomas and Mary Davis in the 1870s. The park was established in the 1970s by Arthur’s youngest son Eric, and includes a replica shingled slab hut based on many details in the book.

Cobb & Co. was established by American Freeman Cobb and his partners who arrived at the Victorian goldfields in 1853. The first service in Queensland operated between Brisbane and Toowoomba in 1866. The journey began in Brisbane with a coach to Ipswich, then train to Bigge’s camp (Grandchester), and finally another coach up the range to Toowoomba. We will visit the Cobb & Co. Museum, home of the National Carriage Collection. Also on display are the two 1955 Royal Mail Cobb & Co. stamps which were inspired by Sir Lionel Lindsay’s etching (1925) that depicts the Thargomindah coach with its team of five skewbalds.

William Robert Fossey ‘Bill’ Bolton MBE, was a transport businessman and philanthropist based in Toowoomba. He founded Redmans Transport in 1935 which was later renamed Cobb & Co. Redmans Transport in 1948. Throughout his life he collected twenty-eight horse and carriage vehicles which today form the nucleus of the Cobb & Co Museum. His interest in Australian pioneer heritage also led him to form a friendship with bush balladist Will H. Ogilvie and to build an important library of journals, prints, letters and maps. This collection includes records of voyages in the Pacific, the exploration and early history of Australia, Australian art, Australian literature (including letters by Henry Lawson), and Lionel Lindsay’s own papers. The release of the Cobb & Co. stamps in 1955 inspired Bolton to make contact with Sir Lionel Lindsay. Over a period of five years, and under the direction of NGV director, Sir Daryl Lindsay, Bolton collected over 400 artworks, the majority of which were by Lionel Lindsay. The collection also included works by other members of the Lindsay family, and by McCubbin, Streeton, Roberts and Bunny. We will tour the Lionel Lindsay Gallery and Library, Toowoomba Art Gallery which houses these great collections.

We end the day with a visit to the private studio of landscape painter, Leisl Baker, whose work was featured in Amber Creswell-Bell’s book A Painted Landscape (Thames & Hudson 2018). Leisl’s expressive, contemporary landscape works are recognisable for their painterly, bold brushwork, rural scenes and rapid sgraffito. Working both en plein air and in her Toowoomba studio, Leisl aims to capture the essence of a time and place in her paintings. Her work has been shortlisted in numerous national awards for landscape including the Paddington Art Prize and the Hadley’s Prize for Landscape. (Overnight Toowoomba) BL

Day 3: Friday 29 July, Toowoomba – Jimbour – Drayton – Toowoomba
  • Jimbour: Heritage Homestead & Gardens, Long Table Lunch
  • Royal Bull’s Head Inn, Drayton

Born in 1863 to Welsh parents, George Essex Evans migrated to Australia in 1881 and settled on a farm near Allora in the Darling Downs. He became Agricultural Editor of The Queenslander and subsequently registrar of Births, Deaths and Marriages at Gympie and later Toowoomba. At the same time he was writing under the pseudonym “Christophus” and became editor of the  Sydney journal, The Antipodean. In 1899 he married and built a home, ‘Glenbar,’ on the eastern slope of the Toowoomba Range. Evans is credited with having published over 200 poems (many of which appeared in Australian papers), short stories, essays, humorous works and a novella. Now little known outside of Queensland, he was recognised in his time as the equal of his contemporaries – Paterson, Lawson, Henry Kendall and Adam Lindsay Gordon. His poems The Women of the West, about the women pioneers of western Queensland, and a patriotic poem titled An Australian Symphony were his most famous works. Evans also excelled as a playwright, producing works for the Brisbane Theatre including the pantomime Robinson Crusoe and Musical Whist. In 1903 Evans founded the Austral Society in Toowoomba to promote music, art, literature, science and industry.

This morning we travel approximately 111 km north-west of Toowoomba to ‘Jimbour’, a heritage-listed homestead on one of the earliest stations established on the Darling Downs. Here we will tour the homestead and heritage gardens, and enjoy a long table lunch.

‘Jimbour’, designed for Joshua Peter Bell, politician, businessman and grazier, is the only genuinely grand country house in the English manner to be built in the state. The magnificence of this home, set on a hill overlooking the plains, has captivated many.  It was a location for filming in the popular series Return to Eden. George Essex Evans wrote of it with admiration in his work The Garden of Queensland in 1898. Gertrude Bell, mistress of ‘Coochin Coochin’ station, also visited ‘Jimbour’, recording in her diary her astonishment at finding such an imposing mansion in the Queensland bush. She was given plant cuttings to take home to her own garden at ‘Coochin’.

This afternoon we return to Toowoomba via Drayton, the first town established beyond the Great Dividing Range in 1842. In 1847 The Royal Bull’s Head Inn was built and became a popular haunt for squatters and workers. We gain an insight into the early days of settlement on the Darling Downs with a guided tour of this inn whose original kitchen, rooms, and interior have been lovingly restored and preserved by the National Trust. Conrad Martens (a friend of Charles Darwin) was the only major colonial artist to work in Queensland. He arrived in Moreton Bay by ship in 1851 and set out across the range to the Darling Downs where he sketched homesteads and properties, including ‘Coochin Coochin’, in the hope of attracting commissions for paintings. By March 1852 Martens had completed over ninety drawings which today provide an invaluable visual account of the region’s history. Several of his works are in the Queensland Art Gallery. On 23 December 1852 he sketched views from Drayton Range and probably stayed at the Royal Bull’s Head Inn. (Overnight Toowoomba) BL

Lamington National Park – 2 nights

Day 4: Saturday 30 July, Toowoomba  – Allora – Coochin – Lamington National Park
  • The Mary Poppins House, Allora
  • Coochin Coochin Station

This morning we journey to the Southern Downs town of Allora. Pamela Lydon Travers OBE (1899-1996) is best known for her Mary Poppins series for children. Born in Maryborough, she grew up in the bush before going to boarding school in Sydney. At the age of 25 she emigrated to England and adopted the pen name ‘P.L. Travers’ while writing the first of eight Mary Poppins books. Saving Mr Banks, the 2013 movie staring Emma Thompson as Travers and Tom Hanks as Walt Disney, includes flashbacks to Travers’ difficult childhood in Allora which became the inspiration for much of Mary Poppins. We will visit the house where Travers spent 2 years of her childhood, and in which her father, Travers Goff, died. The heritage-listed house built in 1879, now owned by Les and Loraine Struthers, was both a home and the Australian Joint Stock Bank, where Travers’ father worked.

The Scenic Rim’s history is linked to various inspiring and charismatic pioneers, including poet Judith Wright, filmmaker Charles Chauvel and the Bell Family of ‘Coochin Coochin’. This afternoon we meet with Tim and Jane Bell to discover the fascinating history of their homestead, which is one of the Scenic Rim’s oldest homes. ‘Coochin Coochin’, (‘Coochin’ means red in the Jagera language, for the red bill of the black swans that frequented the area), dates back to 1842 when the 120,000-acre property was first established by David Hunter. In 1870 the property was purchased by Thomas Alford who moved the homestead to its existing site on a hill. In 1882 James Bell bought 22,000 acres of freehold land, and with his wife, Gertrude, and their two sons, came to live here. Gertrude Bell (née Norton), Tim’s great grandmother, had come from an affluent home at Darling Point in Sydney and at ‘Coochin Coochin’ she resumed her former social life, inviting many guests to stay. Her detailed diaries record the visits of distinguished visitors, including the Queen Mother, the Prince of Wales, Laurence Olivier, Vivien Leigh and Agatha Christie. Agatha Christie loved her visit, was involved in a local concert and grew fond of Guilford Marsh Bell (Gertrude’s grandson) who later worked on renovations to her beloved Devonshire home ‘Greenway’. Agatha greatly admired the Australian women she met in the area and you will learn about their influence on her future life and career.

In the late afternoon we continue south to O’Reilly’s Rainforest Retreat. Established in 1926, the retreat is located in Lamington National Park which lies on the Lamington Plateau of the McPherson Range. In 1937, Bernard O’Reilly became a hero when he rescued the survivors of the Stinson plane City of Brisbane, which had crashed in the remote Lamington wilderness. Bushman and author, O’Reilly wrote three books on the theme of Australia’s Great Dividing Range including Green Mountains (1940) which includes his own account of finding the plane. O’Reilly was played by Jack Thompson in the TV movie The Riddle of the Stinson in 1987. Judith Wright’s poem, The Lost Man, was written about James Guthrie Westray, a survivor of the crash, who died after falling over a waterfall when hacking through the rainforest to seek help. (Overnight Lamington National Park) BLD

Day 5: Sunday 31 July, Lamington National Park
  • Lamington National Park with zoologist, Dr Ronda J Green
  • The Rainforest Works of William Robinson: talk by David Henderson

Public attention was drawn to the beauty and invigorating climate of the McPherson Ranges in the 1890s by Queensland pastoralist Robert Martin Collins. In parliament he campaigned heavily for the protection of the area. Lamington was proclaimed a National Park in 1915, two years after his death, and in 1994 the park was incorporated into the ‘Gondwana Rainforests of Australia World Heritage Area’. The ancient biodiversity of these rainforests was studied by David Attenborough in his 1979 TV series Life on Earth – its beech trees and bower birds were featured.

Many writers have been inspired by this region. Conservationist and author Arthur Groom (1904-1953) pleaded for the protection of the Scenic Rim in his 1951 book One Mountain After Another. In 2001, Germaine Greer’s concern over Australia’s environmental vandalism, led her to purchase 60 hectares of dairy farm at the base of Springbrook Plateau, east of Lamington National Park. The area, part of the Gondwana Rainforest, had been logged during the 19th century with only a few white beeches remaining. In her book White Beech: The Rainforest Years (2013) Greer describes the “irresistible” decade-long battle to rehabilitate the damaged forest. Judith Wright, who spent nearly 30 years at Mount Tamborine, developed a deep connection with this Australian landscape. Her growing concern about its devastation led her to co-found, and become the first President of, the Wildlife Preservation Society of Queensland.

We spend the day exploring Lamington National Park with Dr Ronda J. Green, Chair of Wildlife Tourism Australia and Chair of the Scenic Rim branch of the WPSQ. Ronda, who is a zoologist, studied the birds that dispersed seeds of rainforest plants for her post-doctoral research. She also attended the WPSQ Spring School during the time when it was run by Judith Wright.

The area has inspired many artists including Arthur Boyd and William Robinson. In 1984 Robinson moved from Brisbane to live on an 80-hectare property in Beechmont, a relocation that marked a critical turning point in his career. In 1994 he also acquired a rainforest studio at Springbrook. His affinity with the spectacular hinterland of verdant rainforest and dramatic mountains gave rise to a major new body of his work. Between 1984 and 2005 Robinson painted some of his most original and compelling compositions including his celebrated Creation and Mountain series. This evening David will give a pre-dinner talk on ‘The Rainforest Works of William Robinson’. (Overnight Lamington National Park) BLD

Brisbane – 3 nights

Day 6: Monday 1 August, Lamington NP – Bromelton – Tamborine Mountain – Brisbane
  • Bromelton House & Gardens
  • Artists and Writers of Tamborine Mountain hosted by the Calanthe Collective

Rosa Caroline Praed was a novelist who produced over forty-five books between 1880 and 1931, about half of which are Australian in setting. She was born in 1851 at Bromelton, by the Logan River in Queensland. Her father was the Hon. Thomas Lodge Murray-Prior, pastoralist and politician. She was educated by governesses and her mother until the latter died when Rosa was seventeen. Rosa then ran the house in the bush and sometimes accompanied her father to Brisbane for his political business. Following her marriage in 1872 to Arthur Campbell Praed, who’d come to Australia to make his fortune as a squatter, she spent two lonely, miserable years on Monte Christo, a cattle run located on Curtis Island, near Gladstone. These experiences figure in her autobiographical My Australian Girlhood (1902) and in the novels The Romance of a Station (1889) and Sister Sorrow (1916). In 1876 the couple moved to England where she resumed writing, drawing upon her Australian experiences. In London she achieved considerable celebrity and is considered to be the first Australian novelist to gain an international reputation. Her Politics and Passion of 1881, is thought to be the first novel to make lengthy reference to Brisbane. This afternoon we visit Bromelton which is today a working pecan and beef property. We’ll tour the historic homestead which sits within two hectares of landscaped gardens, and see the large lagoon, believed by the Aboriginal people to be bottomless and the home of the bunyip. These beliefs appear in some of Praed’s writing.

Many writers and artists have been attracted by the beauty of Mt Tamborine, including William Robinson who created Storm Cloud Tamborine and Landscape with Fire on Mt Tamborine. Novelist and poet, Mabel Forrest (1872-1935) moved from the Darling Downs to Mt Tamborine in 1929.  She named her home ‘White Witches’, after the tall white gums of the area, which was also the title of one her novels published in 1927. Forrest’s most successful work The Wild Moth (1924) was released as a film by Charles Chauvel as The Moth of Moonbi. Chauvel, whose family farmed at Harrisville in the Fassifern Valley, went on to make several films set locally in the Scenic Rim including Greenhide and Sons of Matthew, the story of the O’Reilly family’s settlement on the Lamington Plateau. Other writers who have been inspired by the area include bestselling author Kate Morton (b. 1976) whose family moved to the area when she was a child, and novelist and short story writer, Janette Turner Hospital (b. 1942), who described a Tamborine childhood in her novel Charades (1988).

Born at Thalgarrah, New England, Judith Wright moved to Brisbane as a young woman and there fell in love with philosopher and writer, Jack McKinney. In 1945 they moved to Mt Tamborine where they purchased their home ‘Calanthe’ (named after a white orchid which grows in the area), and shared 20 years together until Jack’s death in 1966. Judith wrote the majority of her poetry while living on the mountain. Her poem The Cycads was inspired by ancient trees on Mt Tamborine. Raymond Curtis (1932-2019) was also a key cultural figure on the mountain, along with his wife Eve. He wrote extensively about life in the region and is remembered as Mt Tamborine’s “own Poet Laureate”. In Rainforest Journal (2003) he recounts a year spent working in the mountain’s national parks. His poetry is celebrated in the anthology The View Westward: Tamborine Mountain poems.

This afternoon we tour Mt Tamborine with members of the Calanthe Collective, a local group of literary enthusiasts who study and promote the work of the mountain’s literary luminaries. We learn how writers such as Judith Wright have played an important role in conserving this precious forested landscape. (Overnight Brisbane) BL

Day 7: Tuesday 2 August, Brisbane
  • St Stephen’s Cathedral
  • Old Government House: William Robinson Gallery
  • Queensland Art Gallery and Gallery of Modern Art (QAGOMA)
  • Evening talk by award-winning author, Nick Earls

We begin this morning with a visit to St Stephen’s Cathedral. Here we find the Stations of the Cross by Lawrence Daws, an intimate portrayal of the Passion of Christ, and beautiful 19th-century stained glass windows from France, Germany and England. Of particular note is the Clarke Window – the work of Harry Clarke of the Dublin firm J. Clarke and Sons.

Next we visit the William Robinson Gallery, in the beautiful setting of Old Government House. Born in Brisbane in 1936, Robinson is recognised not only for his unique interpretation of the Australian landscape but also for his whimsical portraits and narrative scenes. His self-portraits were awarded the Archibald Prize in 1987 and 1995. The 2009 documentary by filmmaker Catherine Hunter, William Robinson: A Painter’s Journey, explores the places that have inspired him.

The afternoon is devoted to visiting QAGOMA. Here we tour the Australian Collection which includes works by Gordon Bennett, Arthur Boyd, Rupert Bunny, William Dobell, Ian Fairweather, Ethel Carrick Fox, R. Godfrey Rivers, Sam Fullbrook, Vida Lahey and Sidney Nolan. There are also landscapes painted by Conrad Martens at ‘Coochin Coochin’ and in the nearby McPherson Range. We also view the Indigenous Collection which tells the story of Namatjira and features his early works, along with works by those he influenced.

This evening we gather at the hotel for a talk by best-selling author, Nick Earls, who wrote William Robinson: A New Perspective, which chronicles Robinson’s life and career. Nick will talk to us about his work as a writer, of both fiction and non-fiction. (Overnight Brisbane) B

Day 8: Wednesday 3 August, Brisbane – Murwillumbah – Gold Coast – Brisbane
  • Tweed Regional Gallery & Margaret Olley Art Centre (MOAC), Murwillumbah
  • The City Collection, HOTA including ‘The Rain Forrest’ by William Robinson

This morning we travel to the country town of Murwillumbah which lies in a green caldera, the vast crater of the eroded Tweed Volcano, surrounded by rainforest and farmland. Overlooking the town is the striking Wollumbin Peak (Mt Warning). The Tweed has some of Australia’s most diverse flora, fauna and landscapes. Its unique natural history and cultural resonance prompted Parks Australia and Tourism Australia to declare it one of only sixteen ‘Australian National Landscapes’.

From the centre of Murwillumbah we transfer to the Tweed Regional Museum which offers spectacular views to Wollumbin/Mount Warning. Here we enjoy a private guided tour of the Tweed Regional Gallery and visit the adjoining Margaret Olley Art Centre (MOAC). Born in Lismore in 1923, Margaret Olley is Australia’s most celebrated painter of still lifes and interiors. When she died in 2011, she left a treasure trove of paintings and objets d’art at her home, a converted hat factory and adjoining terrace, at 48 Duxford Street, Paddington Sydney. In 2014 parts of her house and its contents, which had provided the subject of so many of her famous works, were dissembled and transported to a purpose-built centre at the Tweed Regional Gallery in Murwillumbah. At MOAC, we view the recreated areas of Olley’s famous home studio, principally the Hat Factory and the Yellow Room.

The pristine beaches, tropical beauty and relaxed lifestyle of the Gold Coast and its hinterland have attracted 20th-century artists. Artists who have recorded its beauty include Lloyd Rees, Fred Williams, Albert Tucker, Vida Lahey, Ethel Carrick Fox, Betty Quelhurst, Jeff Carter, and Graham Burstow. Contemporary artists who began their careers on the Gold Coast or still live there, include Michael Zarvos, Scott Redford, Chris Bennie, Anna Carey, Victoria Reichelt and Donna Marcus.

Following lunch in Murwillumbah we travel to the Gold Coast to visit the revolutionary new HOTA Gallery which opened in May 2021. Both the colourful architecture and collection of this new six-storey ‘Home of the Arts’ were inspired by William Robinson’s stunning painting The Rainforest, a key work in HOTA’s holdings called ‘The  City Collection’. This painting won the Wynne Prize for Landscape in 1990, and was purchased by the gallery shortly afterwards.  The City Collection, which features more than 5,000 art works, includes an important corpus of paintings from the 1970s by artists including David Aspden, Michael Johnson, Col Jordan, Alun Leach-Jones, and Ron Robertson-Swann. There is also a fine collection of award-winning ceramics, and one of the largest collections of Aboriginal and Torres Strait Island art in regional Australia. In the late afternoon we return to Brisbane. (Overnight Brisbane) BL

Noosa – 1 night

Day 9: Thursday 4 August, Brisbane – Maleny – Mary Cairncross Scenic Reserve – Noosa
  • Fryer Library, Queensland University
  • Lunch at The Tamarind Restaurant, Maleny
  • Mary Cairncross Scenic Reserve & the Glasshouse Mountains National Landscape

We begin this morning with a visit to the Fryer Library at Queensland University which contains a large selection of manuscripts, correspondence, diaries and photographs from award-winning Australian novelists, poets and playwrights, including Peter Carey, Thea Astley, Oodgeroo Noonuccal, David Malouf, Eunice Hanger, and Max and Thelma Afford. There is also an extensive collection of Helen Haenke’s writings and papers. Of particular interest is the ‘Thea Astley Collection’. Born in Brisbane in 1925, Thea Astley AO studied arts at the University of Queensland. She was a school teacher until 1967, then taught at Macquarie University, before retiring to write full time. She published seventeen novels and many short stories, and she won the Miles Franklin Award four times: in 1962 for The Well Dressed Explorer, in 1965 for The Slow Natives, in 1972 for The Acolyte and in 2000 for Drylands. Much of her writing, which draws heavily from her early childhood, is set in Queensland.

Mid-morning we continue our journey north to Maleny where we enjoy a relaxed lunch at the beautiful Tamarind Restaurant at Maleny’s Spicers tamarind Retreat. We then continue to the nearby ‘Mary Cairncross Scenic Reserve’, 55 hectares of subtropical rainforest which is home to a remarkable array of native flora and fauna, including 141 species of birds. We will visit the Discovery Centre and take a walk along the Elevated Glider Gallery Boardwalk which showcases the rainforest mid-storey.

The cluster of rugged volcanic peaks of the Glasshouse Mountains are registered as a landscape of national importance due to their cultural significance to the area’s traditional owners, the Gubbi Gubbi people. This was a special meeting place where they gathered for ceremonies and trading – many of their ceremonial sites are still present. In 1963 Judith Wright published The Day the Mountains Played, a short story in which the great mountains, which had once been men in the Dreamtime, help two boys to protect their tribe from the Doolamai warriors. The landscape has also inspired many other writers and artists including Lawrence Daws, Conrad Martens, Peter Kennedy, David Malouf and Fred Williams. On his journey to Brisbane by ship in 1851, Conrad Martens did his watercolour sketch, Glasshouses, Moreton Bay. In his 1970 poem Glasshouse Mountains, David Malouf described the view of the mountains from the Redcliffe Peninsular. From 1970 until 2010, Lawrence Daws lived at his farm ‘Owl Creek’ at Beerwah on the edge of the rainforest by the Glasshouse Mountains. Many of his best-known works were created here. Daws hosted many artist friends including Brett Whiteley who, in 1976, made several sketches of the area and wrote “the view from the Daws balcony onto the Glasshouse is one of the absolutely monumental views.” Donald Friend produced a series of red ink drawings (shown at Philip Bacon Galleries in 1983), including The House at Owl Creek. Charles Blackman and Robert Dickerson also painted the mountains when they resided nearby. (Overnight Noosa Heads) BL

Fraser Island – 3 nights

Day 10: Friday 5 August, Noosa – Fraser Island
  • Morning at leisure in Noosa
  • Ferry from River Heads to Fraser Island
  • Pre-dinner talk by David Henderson

This morning there will be time at leisure to explore the bustling town of Noosa Heads, before we drive 195km north to River Heads, stopping for a picnic lunch en route, then taking the 50-minute ferry trip to our resort overlooking Kingfisher Bay. David Henderson will give an evening talk before dinner. (Overnight Kingfisher Bay Resort) BLD

Day 11: Saturday 6 August, Fraser Island
  • Lake McKenzie
  • Central Station and Wanggoolba Creek
  • Pile Valley’s Satinay and Brush Box forests
  • 75 Mile Beach
  • The Maheno shipwreck and the coloured sands of The Pinnacles
  • Fresh waters of Eli Creek

Known as K’gari (meaning paradise) by the traditional owners, the Butchulla people, World Heritage-listed Fraser Island has inspired many writers and artists. First published in 1964, Legends of Moonie Jarl is a selection of creation stories from K`gari, taught to Butchulla children by their Elders, which tell how the animals and plants were created. Written and illustrated by siblings, Wilf Reeves and Olga Miller, Legends of Moonie Jarl is a landmark work in Australian literary history, being the very first book of Aboriginal stories authored by Aboriginal people.  Both Wilf Reeves and Olga Miller were born in Maryborough and were keen members of the Maryborough Writers Group in the 1960s. Their book, reprinted in 2015 by the Indigenous Literary Foundation, continues to pass on the stories of the Butchulla people.

Sidney Nolan lived in a ménage à trois at Heide in Melbourne with Sunday and John Reed until 1947, when he moved to Brisbane. There he stayed with his friend Barrett Reid, a Brisbane poet and the youngest contributor to the literary and arts journal Angry Penguins. With Reid, Nolan made his first visit to the rainforests, swamps, and lagoons of Fraser Island. It was here that Nolan was introduced to the historical figure of Eliza Fraser, a Scottish woman who was shipwrecked near the island in 1836. Fascinated by the story of her survival and rescue by escaped convict John Graham who had lived alongside the island’s Aboriginal people, he painted various island sites including Lake Wabby and Indian Head. His Platypus Bay, Fraser Island was purchased by the Queensland Art Gallery in 2014. Other works include a lone female or male figure in the landscape such as the famous Mrs Fraser (1947) which has long been regarded as emblematic of his animosity towards Sunday Reed, and Island (1947) on display at the AGNSW. The QAG website states “Between 1947 and 1948, Sidney Nolan painted at least 15 images of Fraser Island and Eliza Fraser. He then returned to the same theme briefly in 1952, and again during the late 1950s and early 1960s, when he produced numerous works referring, either obliquely or directly, to the Eliza Fraser story and the landscapes he had encountered on the island. Their continuing presence in his paintings, almost 20 years after his initial curiosity, suggests that the episode affected his work greatly, making Queensland instrumental in his development as an artist.”

Nolan shared his fascination for the island with his friend Patrick White, who visited Fraser in the 1960s and early 70s. White used the island’s primal wilderness as the setting for his novel The Eye of the Storm (1973), and in A Fringe of Leaves, a fictionalised retelling of Eliza’s saga. A film of The Eye of the Storm was released in 2011 featuring Charlotte Rampling as Elizabeth Hunter and Geoffrey Rush and Judy Davis as Elizabeth’s children Basil and Dorothy. Other films set on the island include Eliza Fraser, the first major Australia period movie produced in 1976 by Tim Burstall.

Judith Wright, a friend of Nolan’s, argued in the 1975 Fraser Island Enquiry not only for the island’s protection on environmental grounds, but also on cultural grounds:

So many of us have as it were an inward expectation of a European landscape and therefore I think, it has been difficult for us to appreciate the subtle beauty of Australia which is very different. Painters have trained our eye much more to appreciate this beauty; our interpretation of the landscape has altered as a result of its revisioning as it were by artists and also by writers.

Australia has practically no cultural inheritance, unlike other countries which appreciate the work of their artists and the places which have been, if I must put it so, hallowed by association with great works of art. Fraser Island should be thought of as a cultural monument, because one of the greatest artists, now working overseas, Sidney Nolan, has done two series of paintings of the island and of its history, as it were, Fraser Island story, and the magnificent and major novel, ‘The Eye of the Storm’ which Patrick White published just before he got the Nobel Prize, takes for its main setting, the Fraser Island beach. Judith Wright 1975

Thanks to the legacy of environmentalists, most of the island was designated a National Park with World Heritage status. We spend a full day exploring the island’s unique landscape, including Wanggoolba Creek, which remains a crystal-clear freshwater creek running through rainforest at Central Station, just as Nolan painted it. (Overnight Fraser Island) BLD

Day 12: Sunday 7 August, Fraser Island
  • Whale Watching, Hervey Bay
  • Afternoon at leisure

The calm waters of Platypus Bay off the north-western coast of Fraser Island, in the Hervey Bay Marine Park, have become world famous as a prime whale watching area. From August to October humpback whales, migrating south to the Antarctic, stop to rest, play and nurture their calves in the bay. We rise early this morning for our morning Whale Watching tour in Hervey Bay. The afternoon will be at leisure to relax and enjoy the facilities of our resort. (Overnight Fraser Island) BLD

Rockhampton – 2 nights

Day 13: Monday 8 August, Fraser Island – Rockhampton
  • Early morning Ferry from Kingfisher Bay Resort to River Heads
  • Statue of Mary Poppins
  • Story Bank Mary Poppins Museum, Maryborough
  • Brennan and Geraghty’s Store Museum, Maryborough
  • Tilt Train: Maryborough West to Rockhampton (1440-1845)

After an early breakfast, we take the return ferry from our resort to River Heads. On arrival we transfer to the town of Maryborough.

Maryborough, a city in the Fraser Coast Region, has a number of heritage-listed buildings, including the former Australian Joint Stock Bank where P.L. Travers’ father, Travers Goff, worked as bank manager and where, in August 1899, she was born in a room on the second floor. We will view the bronze statue of her at the front of the building which commemorates her literary achievements. Born Helen Lyndon Goff, she lived in Maryborough until the age of five when the family relocated to Allora. Within the former bank we visit the ‘Story Bank Mary Poppins Museum’ which describes her life story and her ties with Maryborough.

We also make a short visit to the National Trust-run ‘Brennan and Geraghty’s Store Museum’. This charming store, established in 1871, is a rare survivor of our commercial heritage and features goods dating back to the 1890s.

Following a picnic lunch on the banks of the Mary River we continue to Maryborough West where we take the Tilt Train to Rockhampton. (Overnight Rockhampton) BL

Day 14: Tuesday 9 August, Rockhampton
  • Rockhampton Museum of Art (ROMA)
  • Afternoon at leisure
  • Farewell Meal at a Headrick’s restaurant in Rockhampton

Rockhampton, one of the oldest cities in Queensland, lies adjacent to the Fitzroy River. Following the discovery of gold in Canoona in 1858 the city was quickly transformed into the second largest port in the state. In August 1871 Anthony Trollope took the steamboat from Brisbane to Rockhampton and described the town as ‘the city of sin, sweat and sorrow’. Subsequent gold rushes at Mount Morgan Mine, which was at the time one of the most productive gold mines in the world, laid the foundations for much of the city’s Victorian architecture. Quay Street, which runs adjacent to the Fitzroy River, has about 30 buildings of historical significance, making it Australia’s longest National Trust heritage-listed street, and includes the original gold store and headquarters of the Mount Morgan Gold Mining Company which was built in 1898.

Among the city’s most famous daughters was journalist, travel writer and novelist, Mary Ernest Hill (1900-1972). Her novel My Love Must Wait (1941) which was based on the life of Matthew Flinders, became prescribed reading for school students. Mary Lucy “Lala” Fisher, a poet, writer and editor, was also born in Rockhampton in 1872. Fisher was the author of three books and the owner/editor of Sydney’s Theatre Magazine between 1909-1918.

This morning we visit the new Rockhampton Museum of Art, a state-of-the-art building that is the largest art museum in regional Queensland and will house the works of some of Australia’s most significant artists including Margaret Olley, Arthur Boyd, Russell Drysdale, Sidney Nolan, and Jeffrey Smart.

Following an afternoon at leisure to explore the city’s heritage architecture, we enjoy our final farewell meal at Headrick’s Restaurant. (Overnight Rockhampton) BD

Day 15: Wednesday 10 August, Depart Rockhampton
  • Tilt Train from Rockhampton to Brisbane Roma Street (0710-1450)

Early this morning we transfer to the Rockhampton Station where we board the Tilt Train to Brisbane. From our seats we will enjoy the picturesque scenery of Gympie, the Glasshouse Mountains and the Sunshine Coast hinterland. Continental breakfast and a light lunch will be served on the train. We are scheduled to arrive at Brisbane’s Roma Street Station at 2.40pm where our tour officially ends. BL



All hotels provide rooms with private facilities. A hotel list will be given to all participants prior to departure, in the meantime a summary is given below:

  • Toowoomba (3 nights): 4-star Potter’s Boutique Hotel – a modern boutique hotel located in the city centre, 1km from the Toowoomba Regional Art Gallery. pottershoteltoowoomba.com.au
  • Lamington National Park (2 nights): 4-star O’Reilly’s Rainforest Retreat – set in the World Heritage-Listed Lamington National Park with accommodation overlooking the mountains. oreillys.com.au
  • Brisbane (3 nights): 5-star Treasury Brisbane – offering accommodation with old world charm, located 200m from the Brisbane River and 800m from the Queensland Art Gallery.  www.treasurybrisbane.com.au
  • Noosa Heads (1 night): 5-star Sofitel Noosa Pacific Resort – a modern resort located in the centre of town on Hastings Street. www.sofitelnoosapacificresort.com.au
  • Fraser Island (3 nights): 4-star Kingfisher Bay Resort – a modern eco-friendly resort with accommodation overlooking the low ‘wallum’ heaths. www.kingfisherbay.com
  • Rockhampton (2 nights): 4-star Mercure Rockhampton – a newly refurbished hotel in the city centre overlooking the Fitzroy River. www.accorhotels.com

Note: Hotels are subject to change, in which case a hotel of similar standard will be provided.

Single Supplement

Payment of this supplement will ensure accommodation in a double/twin room for single occupancy throughout the tour. People wishing to take this supplement are therefore advised to book well in advance.

How to book

How to Book


Please complete the ASA RESERVATION APPLICATION and send it to Australians Studying Abroad together with your non-refundable deposit of AUD $500.00 per person payable to Australians Studying Abroad.

Covid-19 Vaccination Certificate

Commencing from November 2021 it will be a condition of travel that all group leaders and ASA travellers are fully vaccinated against Covid-19. All participants must send ASA a copy of their vaccination certificate at the time of submitting their Reservation Application Form. For information on how to obtain either a Covid-19 digital certificate or a certificate in PDF format please view the Australian Government Services Australia “What types of proof there are” web page.

Practical Information

Practical Information

The number of flags is a guide to the degree of difficulty of ASA tours relative to each other (not to those of other tour companies). It is neither absolute nor literal. One flag is given to the least taxing tours, seven to the most. Flags are allocated, above all, according to the amount of walking and standing each tour involves. Nevertheless all ASA tours require that participants have a good degree of fitness enabling 2-3 hours walking or 1-1.5 hours standing still on any given site visit or excursion. Many sites are accessed by climbing slopes or steps and have uneven terrain.

This 15-day tour of Queensland involves:

  • A moderate amount of walking mainly during outdoor site visits, often up and down hills and/or flights of stairs and uneven terrain.
  • A moderate amount of coach travel, several on winding mountainous roads.
  • The daily schedule generally involves an early-morning departure (between 8.00-8.30am), concluding in the late afternoon (between 5.00-6.30pm).
  • 3- to 5-star hotels with 4 accommodation changes.
  • You must be able to carry your own hand-luggage. Hotel porterage includes 1 piece of luggage per person.

It is important to remember that ASA programs are group tours, and slow walkers affect everyone in the group. As the group must move at the speed of the slowest member, the amount of time spent at a site may be reduced if group members cannot maintain a moderate walking pace. ASA tours should not present any problem for active people who can manage day-to-day walking and stair-climbing. However, if you have any doubts about your ability to manage on a program, please ask your ASA travel consultant whether this is a suitable tour for you.

Please note: it is a condition of travel that all participants agree to accept ASA’s directions in relation to their suitability to participate in activities undertaken on the tour, and that ASA retains the sole discretion to direct a tour participant to refrain from a particular activity on part of the tour. For further information please refer to the ASA Reservation Application Form.

Practical Notes

Prior to departure, tour members will receive practical notes which include information on weather, clothing and what to pack.

Tour Price & Inclusions

Tour Price & Inclusions

AUD $8890.00 Land Content Only

AUD $1690.00 Single Supplement

Tour Price (Land Content Only) includes:
  • Accommodation in twin-share rooms with private facilities in 3- to 5-star hotels.
  • Meals as indicated in the tour itinerary where: B=breakfast, L=lunch & D=dinner
  • Drinks at welcome and farewell meals. Other meals may not have drinks included.
  • Transportation by air-conditioned coach, Tilt Train from Maryborough West to Rockhampton & Rockhampton to Brisbane
  • Porterage of one piece of luggage per person at hotels
  • Lecture and site-visit program
  • Entrance fees
  • Use of audio headsets for site excursions
  • Tips for the coach driver, local guides and restaurants for included meals
Tour Price (Land Content Only) does not include:
  • Airfare to Brisbane
  • Personal spending money
  • Airport-hotel transfers
  • Luggage in excess of 20 kg (44 lbs)
  • Travel insurance
Tour Map

Tour Map

Terms & Conditions

A deposit of $500.00 AUD per person is required to reserve a place on an ASA tour.

Cancellation Fees

If you decide to cancel your booking the following charges apply:

  • More than 75 days before departure: $500.00**
  • 75-46 days prior 25% of total amount due
  • 45-31 days prior 50% of total amount due
  • 30-15 days prior 75% of total amount due
  • 14-0 days prior 100% of total amount due

**This amount may be credited to another ASA tour departing within 12 months of the original tour you booked. We regret, in this case early-bird discounts will not apply.

We take the day on which you cancel as being that on which we receive written confirmation of cancellation.

Unused Portions of the Tour

We regret that refunds will not be given for any unused portions or services of the tour, such as meals, entry fees, accommodation, flights or transfers.

Will the Tour Price or Itinerary Change?

If the number of participants on a tour is significantly less than budgeted, or if there is a significant change in exchange rates ASA reserves the right to amend the advertised price. We shall, however, do all in our power to maintain the published price. Occasionally circumstances beyond the control of ASA make it necessary to change airline, hotel or to make amendments to itineraries. We will inform you of any changes in due course.

Travel Insurance

ASA requires all participants to obtain comprehensive travel insurance. A copy of your travel insurance certificate and the reverse charge emergency contact phone number must be received by ASA no later than 75 days prior to the commencement of the tour.

Final Payment

The balance of the tour price will be due 75 days prior to the tour commencement date.

Limitation of Liability

ASA is not a carrier, event or tourist attraction host, accommodation or dining service provider. All bookings made and tickets or coupons issued by ASA for transport, event, accommodation, dining and the like are issued as an agent for various service providers and are subject to the terms and conditions and limitations of liability imposed by each service provider. ASA is not responsible for their products, services, terms and conditions. If a service provider cancels or does not deliver the product or service for which you have contracted, and does not give a refund, your remedy lies with the service provider, not ASA.

ASA will not be liable for any claim (e.g. sickness, injury, death, damage or loss) arising from any change, delay, detention, breakdown, border closures, cancellation, failure, accident, act, omission or negligence of any tour service provider or authority however caused (contingencies). You must take out such travel insurance as is available against such contingencies.

ASA’s liability in respect of any tour cancelled or changed will be limited to the partial refund of amounts you have paid, less an administration fee of $500 and other costs and charges of third party service providers. No compensation will be payable to you by ASA where ASA cancels or changes a tour, or any part of a tour.

ASA reserves the sole discretion to cancel any tour or to modify itineraries in any way it considers appropriate and in the best interests of health, safety and wellbeing of tour participants. Tour costs may be revised, subject to unexpected price increases or exchange rate fluctuations.

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